Next, you can select file type, such as WAV or MP3. In this case, bouncing from the Main output on our Master Fader will ensure the entire song is included. From the top of the window, Bounce Source tells Pro Tools which output(s) to record. With a selection made, you can open the Bounce to Disk window by using Option + Command + B. Holding the shift key, click the end of the project to make a selection for bouncing. You don’t have to make the selection across every track, however one will work just fine. It’s important to know that Bounce to Disk requires a selection to be made which tells Pro Tools the start/end points for the bounce. Not only will this provide the output source for the bounce, but it lets you add some additional processing at the end, such as a limiter. One of the first things to take into account is having a Master Fader in your project. Pro Tools has a very convenient Bounce to Disk option which lets you quickly and easily turn a whole session into a 2-track file. This is so you’ll have access to it as a single WAV or MP3 file for listening, uploading, sending to your client or a mastering engineer, etc.
Once you’ve finished recording and mixing a song in Pro Tools, you’ll need to be able to bounce out the entire project as a single stereo file.
#HOW TO BOUNCE A TRAACK IN PLACE IN PROTOOLS 12 HOW TO#
In this quick tip, he shows us how to use the “Bounce to Disk” function in Pro Tools! He also teaches at the world-renowned Berklee College of Music. Today, Jon is a Pro Tools Master Instructor for Avid, travelling the world and training Pro Tools users of all levels. Jon Connolly is the most sought-after Pro Tools instructor in the world. Having been with Avid since the company first started out as DigiDesign in the early ‘90s, he quickly became their Product Specialist in Los Angeles, offering Pro Tools installations, training, and support to major studios like Warner Bros., Universal, Capitol, The Village, Record One, Westlake, and more.
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